| Neill Gorton |
Special Effects |
| Cas Casey |
Online Editor |
| Peter Fuchs |
Score Engineer |
| Joyce Nettles |
Casting |
| Guy Barker |
Third Assistant Director |
| Ian Morse |
Special Effects |
| Eddie Done |
Electrician |
| Beverley Keogh |
Additional Casting |
| Tim Lewiston |
Dialogue Editor |
| Colin Mutch |
Dressing Prop |
| Cas Casey |
Online Editor |
| David M. Thompson |
Executive Producer |
| Katie Easton |
Assistant Director Trainee |
| Colin Pons |
Production Executive |
| Helen Moran |
Script Supervisor |
| Paul Trijbits |
Co-Executive Producer |
| Joanna Gueritz |
Production Executive |
| Rebecca Hemy |
Standby Art Director |
| Jim Bishop |
Focus Puller |
| Simon Noone |
Second Assistant Director |
| Joanne Bendon |
Production Accountant |
| Mark Foster |
Costume Supervisor |
| Francesca Franklyn |
Script Editor |
| Sue Booth |
Art Direction |
| Tom Carruthers |
Special Effects |
| Douglas Cooper |
Production Accountant |
| David Munns |
Production Design |
| Beverley Keogh |
Additional Casting |
| Justinian Buckley |
Assistant Editor |
| Robert Farr |
Recording Supervision |
| Sara Deane |
Clapper Loader |
| Ian Morse |
Special Effects |
| Tim Lewiston |
Dialogue Editor |
| Dan Thomas |
Best Boy Grip |
| Colin Mutch |
Dressing Prop |
| Adam Suschitzky |
Second Unit Director of Photography |
| Neil Morrill |
Makeup Effects Designer |
| Mark O'Hanlon |
Location Manager |
| Per Tingleff |
Second Unit Director of Photography |
| David Katznelson |
Director of Photography |
| Dario Marianelli |
Music |
| Colin Pons |
Production Executive |
| Fiona Morham |
Head of Production |
| Doug Cooper |
Recording Supervision |
| Rebecca Hemy |
Standby Art Director |
| Robert Farr |
Recording Supervision |
| Jeremy Howe |
Executive Producer |
| Temple Clark |
Storyboard Artist |
| Joanne Bendon |
Production Accountant |
| Joe Oppenheimer |
Production Executive |
| Duncan Wheeler |
Production Runner |
| Neil Morrill |
Special Effects |
| Simon Turner |
First Assistant Director |
| Temple Clark |
Storyboard Artist |
| Kim Harding |
Boom Operator |
| Joyce Dean |
Makeup Designer |
| Michelle Smith |
Casting |
| Sara Deane |
Clapper Loader |
| Sam Whymant |
Floor Runner |
| Francesca Franklyn |
Script Editor |
| Carly Green |
Makeup & Hair Assistant |
| Lisa Phillips |
Costume Assistant |
| Tom Carruthers |
Special Effects |
| Justinian Buckley |
Assistant Editor |
| Doug Cooper |
Recording Supervision |
| Jakob Hire |
Second Unit Director of Photography |
| Guy Barker |
Third Assistant Director |
| Sarah Kaye |
Production Accountant |
| Howard Schuman |
Story Consultant |
| Giancarlo Dellapina |
Sound Mixer |
| Alessandra Scherillo |
Second Unit Director of Photography |
| Paul McGavin |
Set Runner |
| Ergin Ahmet |
Colorist |
| Matthew Vizard |
Post Production Supervisor |
| David M. Thompson |
Executive Producer |
| William Diver |
Editor |
| Andy Stebbing |
Production Coordinator |
| Paul Sparrow |
Production Runner |
| Michelle Smith |
Casting |
| Simon Noone |
Second Assistant Director |
| Jakob Hire |
Second Unit Director of Photography |
| Julian Day |
Costume Design |
| Stewart Mackinnon |
Producer |
| Jim Bishop |
Focus Puller |
| Sue Booth |
Art Direction |
| Paul McGavin |
Set Runner |
| Otto Stenov |
Gaffer |
| Mike Roberts |
Prop Maker |
| Emma Clarke |
Senior Executive Consultant |
| Peta Inglesent |
Production Accountant |
| Beverley Gerard |
Dressing Prop |
| Peter Fuchs |
Score Engineer |
| Dan Thomas |
Best Boy Grip |
| Eddie Done |
Electrician |
| Rosemary Kay |
Writer |
| Paul Trijbits |
Co-Executive Producer |
| Michael C. Hawk |
Grip |
| Michael C. Hawk |
Grip |
| Helen Moran |
Script Supervisor |
| William Diver |
Editor |
| Mark O'Hanlon |
Location Manager |
| Simon Turner |
First Assistant Director |
| Sam Whymant |
Floor Runner |
| Paul Ritchie |
Line Producer |
| Joyce Dean |
Makeup Designer |
| Katie Easton |
Assistant Director Trainee |
| Gustav Hoegen |
Special Effects |
| Sandra Shuttleworth |
Production Manager |
| Andy Stebbing |
Production Coordinator |
| David Munns |
Production Design |
| Lisa Phillips |
Costume Assistant |
| Natalie Shearer |
Art Department Assistant |
| Mark Foster |
Costume Supervisor |
| Gustav Hoegen |
Special Effects |
| Joyce Nettles |
Casting |
| Neil Morrill |
Special Effects |
| Beverley Gerard |
Dressing Prop |
| Duncan Wheeler |
Production Runner |
| Sarah Gavron |
Director |
| David Katznelson |
Cinematography |
| Alessandra Scherillo |
Second Unit Director of Photography |
| Eliza Mellor |
Production Executive |
| Emma Clarke |
Senior Executive Consultant |
| Ergin Ahmet |
Colorist |
| Julian Day |
Costume Design |
| Joe Oppenheimer |
Production Executive |
| Paul Sparrow |
Production Runner |
| Natalie Shearer |
Art Department Assistant |
| Otto Stenov |
Gaffer |
| Joanna Gueritz |
Production Executive |
| Peta Inglesent |
Production Accountant |
| Howard Schuman |
Story Consultant |
| Fiona Morham |
Head of Production |
| Stewart Mackinnon |
Producer |
| Mike Roberts |
Prop Maker |
| Dario Marianelli |
Original Music Composer |
| Sarah Kaye |
Production Accountant |
| Matthew Vizard |
Post Production Supervisor |
| Neill Gorton |
Special Effects |
| Douglas Cooper |
Production Accountant |
| Sandra Shuttleworth |
Production Manager |
| Carly Green |
Makeup & Hair Assistant |
| Rosemary Kay |
Writer |
| Eliza Mellor |
Production Executive |
| Neil Morrill |
Makeup Effects Designer |
| Kim Harding |
Boom Operator |
| Giancarlo Dellapina |
Sound Mixer |
| Jeremy Howe |
Executive Producer |
| Per Tingleff |
Second Unit Director of Photography |
| Adam Suschitzky |
Second Unit Director of Photography |
| Paul Ritchie |
Line Producer |
| Sarah Gavron |
Director |